Christopher Burch believes that fashion and industry need each other. This is a very interesting concept. Some believe that in order for the two to survive: the coupling of the two sectors must exist in the way of a popular trend.
However, Christopher Burch is a visionary. He has seen the two sectors grow side by side and firmly believes that there is not an event that need bring the two processes together. When looking at the past—according to Christopher Burch: any one of us can see, fully, what possibly lies ahead, in way of the union of fashion and technology. In other words, it is not as complicated as: East meets West—and we are nothing alike: so let us find some common ground. The two sectors quite, “charmingly” complement one another.
Christopher Burch makes use of the Boom Box of the 70s as a way to introduce the historical significance of technology becoming a “roomie” with fashion. Is it fashionable to carry audio gear? According to Burch: naturally so. The Boom Box was most popular during the 70s and 80s decades. The Walkman became the mobile audio entertainment device of choice-next, in the 90s. Next, came the iPod. The iPod presented the most compact listening device of all.
Regardless, no matter “which way you slice it,” technology is factored into what is fashionable for the time period.
Burch states that even now technology and fashion is actively intermingling. The designer is quite responsive in assuring her or his product is delivered to a very accepting public.
Anouk Wipprecht is a Dutch designer. She created the “DareDroid,” a drink-making dress and “Pseudomorphs” a self-painting dress. This type of in-depth design, squarely shows, that technology and fashion are very compatible. Ms. Wipprecht enjoys using her creativity in combining the concepts of technology into her design works.
Christopher Burch suggests that other fashions advance through the utilization of technology. In example. Anna Haupt and Terese Alstin are the designers that created neckwear for the biker: The neckwear becomes an airbag—conveniently so—when the biker is about to hit the pavement.
In way of a protective type of fashion: designers Ashwin Rajan and Kevin Cannon created ‘Frontline Globes’. The firefighters use their gloves in order to communicate whether a devastated area is safe to enter; or to stay out.
SegraSegra has created terrific fashion designs out of recycled inner tubes of bikes. Emma Whiteside put together a gown made of recycled copper.
Soledad Martin works on a prototype for shoe apparel wherein a walker charges his or her cellular device by means of his movement. Google Glass became popular when Diane von Furstenberg’s models wore the optical accessory, while walking up and down the runway.
Fashion and technology evolve together and are assistive to one another. Technology makes fashion functional. Both industries are engaging each other, to bring greater harmony to the lives of everyone.
Notes Regarding Chris Burch:
Christopher Burch is the founder and CEO of Burch Creative Capital. The firm is based in New York. Chris Burch assumed billionaire status in 2012. When Burch bought a majority of C. Wonder, his net worth went over the 10 figure mark. The self-made billionaire resided in Wayne Pennsylvania as a kid. His father owned supplies and mining equipment. Burch grew up in Wayne Pennsylvania. He was raised by a middle class family.
During 1976, when Burch was an undergrad at Ithaca College, he and his brother Robert established Eagle’s Eye Apparel. They did so by starting out selling sweaters. The sweater brand was expanded upon. The company was sold, eventually, for millions of dollars. The company’s goal is to properly incubate new brands. Poppin and and Voss Water are a few of many brands found in Burch’s portfolio.